Thoughts on Celluloid — Since Deadpool is already a highly marketable...

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

brevoortformspring

Anonymous asked:

Since Deadpool is already a highly marketable character do you think his movie will raise his level to equal that of Wolverine?

brevoortformspring answered:

I don’t know, maybe. I’m still not entirely convinced that we’ll ever get that movie.

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OKJA and THE LOST CITY OF Z were both shot by Darius Khondji. They’re also two of the best films this year, and that’s no coincidence.
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In Z, Khondji makes watching James Gray’s period adventure feel like discovering a relic, marrying light with fog... — OKJA and THE LOST CITY OF Z were both shot by Darius Khondji. They’re also two of the best films this year, and that’s no coincidence.
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In Z, Khondji makes watching James Gray’s period adventure feel like discovering a relic, marrying light with fog and trees to make it feel like more than just reflection. It’s a living part of the celluloid, like a dream of a past life unfolding at 24 frames per second.
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In contrast, for Bong Joon-ho’s OKJA he paints with shadow, punctuating the emotional heft of what is, for the most part, the loopiest dark comedy this side of BURN AFTER READING. It’s a deeply uncomfortable film, but its intermittent rays of hope are allowed to stand out amidst an intentionally drab palette like candles in absolute blackness, as he obscures even the lush greens of rural Korea in favour of moral and narrative uncertainty.
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Khondji’s name received the loudest cheer after Z’s premiere at last year’s New York Film Festival, and rightly so. I wasn’t at OKJA’s Cannes debut this past May, but I wouldn’t be surprised to learn the reaction was similar.
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Both films are streaming now.