Thoughts on Celluloid — "This is, how you say, a bogus argument." And yet...

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

brevoortformspring

Anonymous asked:

"This is, how you say, a bogus argument." And yet you have trouble debunking it.

brevoortformspring answered:

I’m sorry that we’ve only done thirty-million stories about Daredevil’s Christianity, but not one this past week.

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OKJA and THE LOST CITY OF Z were both shot by Darius Khondji. They’re also two of the best films this year, and that’s no coincidence.
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In Z, Khondji makes watching James Gray’s period adventure feel like discovering a relic, marrying light with fog... — OKJA and THE LOST CITY OF Z were both shot by Darius Khondji. They’re also two of the best films this year, and that’s no coincidence.
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In Z, Khondji makes watching James Gray’s period adventure feel like discovering a relic, marrying light with fog and trees to make it feel like more than just reflection. It’s a living part of the celluloid, like a dream of a past life unfolding at 24 frames per second.
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In contrast, for Bong Joon-ho’s OKJA he paints with shadow, punctuating the emotional heft of what is, for the most part, the loopiest dark comedy this side of BURN AFTER READING. It’s a deeply uncomfortable film, but its intermittent rays of hope are allowed to stand out amidst an intentionally drab palette like candles in absolute blackness, as he obscures even the lush greens of rural Korea in favour of moral and narrative uncertainty.
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Both films are streaming now.