Thoughts on Celluloid — "The answer to your question is in the question." ...

1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
brevoortformspring

Anonymous asked:

"The answer to your question is in the question." I'm guessing it's because of "Bitch" but If Marvel was Ok with it before why now? Pandering to the female reader? I thought you guys do not pander. Hypocritical left and right with Marvel lately

brevoortformspring answered:

“Pandering to the female reader.” You kill me.

Also, you seem to be an awful human being.

thoughtsoncelluloid

Good lord. People like this actually exists.

Context: This is a follow up to a question about why a character’s name was changed to ‘Spider-Girl’ when it was originally 'Spider-Bitch’ in Old Man Logan (Thanks, Mark Millar)

I don’t agree with Tom Brevoort 100% of the time, but kudos to him for having the guts to deal with people like this on a daily basis.

“Pandering” - get the fuck out of here

More you might like

Len Wein took the visages of Gods and monsters and used them to create characters who were achingly human. He brought the X-Men back after 6 years on the shelf, and he turned them into the cultural behemoth they are today by injecting their tales...

Len Wein took the visages of Gods and monsters and used them to create characters who were achingly human. He brought the X-Men back after 6 years on the shelf, and he turned them into the cultural behemoth they are today by injecting their tales with necessary diversity of race, culture and viewpoint. That bar we’re still trying to raise? He helped set it in the first place. RIP.

OKJA and THE LOST CITY OF Z were both shot by Darius Khondji. They’re also two of the best films this year, and that’s no coincidence. . In Z, Khondji makes watching James Gray’s period adventure feel like discovering a relic, marrying light with fog...

OKJA and THE LOST CITY OF Z were both shot by Darius Khondji. They’re also two of the best films this year, and that’s no coincidence.
.
In Z, Khondji makes watching James Gray’s period adventure feel like discovering a relic, marrying light with fog and trees to make it feel like more than just reflection. It’s a living part of the celluloid, like a dream of a past life unfolding at 24 frames per second.
.
In contrast, for Bong Joon-ho’s OKJA he paints with shadow, punctuating the emotional heft of what is, for the most part, the loopiest dark comedy this side of BURN AFTER READING. It’s a deeply uncomfortable film, but its intermittent rays of hope are allowed to stand out amidst an intentionally drab palette like candles in absolute blackness, as he obscures even the lush greens of rural Korea in favour of moral and narrative uncertainty.
.
Khondji’s name received the loudest cheer after Z’s premiere at last year’s New York Film Festival, and rightly so. I wasn’t at OKJA’s Cannes debut this past May, but I wouldn’t be surprised to learn the reaction was similar.
.
Both films are streaming now.

See this in the app Show more
Top Photos